Monday, December 31
The Rub NYE
DJ Eleven & DJ Ayres
w/ Special Guest: Nicole Sky
The Bell House
149 7th Street, BK, NY
Limited $40 presales available now
Jay Z was born on December 4th, 1969… he turned 49 years old just a few days ago. In honor of
young Hov almost reaching a half century we look back to a mix DJ Ayres made back in 2009 with a grip of his favorite Jay Z tunes.
And tonight, December 6, 2018, we will be showing Fade to Black at The Alamo Drafthouse in downtown Brooklyn. After the movie, which documents the making of the Black Album and a star-studded concert at MSG, we’ll be playing Jay-Z songs in the bar downstairs. Tickets are still available: GET TICKETS
The next movie in our Hip-Hop History Movie Series with Alamo Drafthouse is Fade To Black. Set against Jay-Z’s 2003 sold out concert at Madison Square Garden (and threatened final performance before retirement), FADE TO BLACK explores Jay’s career, creative process, and the making of “The Black Album”, interspersed with performance of so many of his bangers – “Hard Knock Life”, “Crazy in Love”, etc. – thrown in. Includes cameos from Beyoncé, Mary J. Blige, P Diddy, Common, Dame Dash, Missy Elliott, Funkmaster Flex, Slick Rick, R. Kelly, Q-Tip, Usher, Rick Rubin,?uestlove, Timbaland, Kanye, Pharrell, Just Blaze, Memphis Bleek, Beanie Sigel, Freeway, and Ghostface.
Join us after the movie in House of Wax for a special set of all Jay-Z songs to celebrate his birthday two days before!
Listen to all our favorite new music from Winter 2018!
Fans of The Rub’s History of Hip Hop series have been asking for new episodes since 2009, and your dreams have finally been fulfilled! We pick up right where we left off, and we’ll be dropping another year every month until we’re caught up.
2010 was dominated by a few big stars – Young Money’s Nicki Minaj, Drake and Lil Wayne were on the radio and in clubs nonstop, along with huge hits by Rick Ross, Wiz Khalifa, and Kanye. Yelawolf, Big K.R.I.T. and J. Cole were the hot up-and-comers. It was Ludacris and Jeezy’s last really stellar year, and we also got surprising comeback singles from Dipset, Lloyd Banks, Nas and Big Boi. And 2010 was a great year for producers, including Lex Luger, AraabMuzik, Clams Casino, Stargate and of course Kanye West and Swizz Beats.
So enjoy this blast from the recent past, and remember you can catch up on all of The Rub History of Hip Hop mixes (1979 – 2010) at http://www.itstherub.com/category/history-of-hip-hop/.
Tracklist: Read the rest of this entry »
As we get closer to celebrating the
14th 17th anniversary of The Rub, it’s always a time to reflect. And as our (mostly) weekly TBT section focuses on that exact notion, we’ll be reminiscing about some of the larger projects we’ve been a part of in the coming weeks. First up is our History of Hip-Hop series we did with our friends over at Brooklyn Radio. This extensive mix series looks back at some of the greatest Hip-Hop and Rap tunes of every year from 1979 all the way up until 2009, celebrating 3 decades of the music that’s been so influential to us and the rest of the world. Check out just a few favorites below. And feel free to take some time and revisit the interview with Brooklyn Radio that was done when the series was completed as well!
Get em all here: http://www.itstherub.com/category/history-of-hip-hop/
Saturday, November 24
DJ Eleven & DJ Ayres
w/ Special Guest: DJ Teeburr
The Bell House
149 7th Street, BK, NY
Door by Rahnon
To see the rest of ’s photos from The Rub Halloween 2018 party, visit our Facebook page.
On Thursday, November 8, we’ll be continuing our movie series at Alamo Drafthouse with 8 Mile.
How did Eminem not become a movie star? That’s the question fans and critics alike are still asking, since 8 MILE a semi-autobiographical drama that marked the rapper’s first lead role, was a major success and even won a best original song Oscar for its electrifying theme, “Lose Yourself.”
As Jimmy Smith Jr., known to friends and family as “Rabbit,” Eminem projects rough-edged charisma and an almost palpable intensity. While the role has a fairly narrow emotional range — most of the time, Rabbit is either quietly steaming or venting — it’s demanding because Rabbit is in every scene of the film. That’s an enormous burden to put on an inexperienced actor, but Eminem never appears overwhelmed by it.
The star is fortunate to have excellent support from Mekhi Phifer, Evan Jones and a bedraggled-looking Kim Basinger, as well as from director Curtis Hanson (L.A. CONFIDENTIAL, WONDER BOYS), who knows how to put an unexpected kick into an otherwise straightforward scene. The streets of Detroit also play a key role and it’s doubtful the Chamber of Commerce used 8 MILE to attract newcomers to town: Production designer Philip Messina portrays the Motor City as a Godforsaken wasteland of rusty cars, peeling paint, cracked asphalt and torched houses.
The screenplay by Scott Silver positions Rabbit as the successor to Tony Manero of SATURDAY NIGHT FEVER and, perhaps more directly, Prince’s The Kid in PURPLE RAIN. Rabbit works a mind-numbing job at a stamping plant and spends his spare time working on sharpening up his rhyming skills for weekly “battles” at clubs like The Shelter. After a falling-out with girlfriend Janeane (Taryn Manning), Rabbit unwillingly moves back in with his woebegone mother Stephanie (Basinger), who lives in a trailer with a pre-school-aged daughter and an out-of-whack boyfriend (Michael Shannon) who turns out to be one of Rabbit’s former classmates from high school.
Bad luck and lack of resources combine to give Rabbit a full inventory of frustrations and insecurities that he must learn to channel into his writing. One of the most fascinating bits in 8 MILE shows Rabbit listening to a tape of a rhythm track and trying to put together a rap. The lyrics come to him in bits and pieces, leaving gaps that he’ll have to fill with something he hasn’t thought of yet. It’s a superb illustration of the agonizing creative process, in which inspirations and ideas have to be processed and translated into words.
When Rabbit finally conjures up the courage to face down his enemies in a war of words, it’s every bit as exciting as John Travolta’s dance floor moves in FEVER or Prince’s climactic numbers in RAIN. All of the young man’s experiences are boiled down into a red-hot stream of street poetry that’s raw, hilarious and lethal. (James Sanford)
After the screening, join us for a special DJ inspired by the movie at the House of Wax!